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The Arts Blog ~ News and notes on Orange County's world of arts, from Tim Mangan (classical music), Laura Bleiberg (dance), Paul Hodgins (theater) and Richard Chang (visual art).

Top concerts this week

November 21st, 2009, 10:18 am by Timothy Mangan, music critic
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Berlin Philharmonic

Led by Sir Simon Rattle, the world’s greatest orchestra, at least by some estimations, returns to Disney Hall with a pair of programs devoted, though not exclusively, to Brahms. The first pairs Arnold Schoenberg’s vivid orchestration of Brahms’ Piano Quartet No. 1 with the Symphony No. 1. The second features Wagner’s Overture to “Die Meistersinger,” Schoenberg’s hyperactive Chamber Symphony No. 1 and Brahms’ Symphony No. 2. 8 p.m. Nov. 23-24. Tickets are $55-$215. Walt Disney Concert Hall, Los Angeles. 323-850-2000. www.laphil.com

Shanghai Symphony Orchestra

The Shanghai Symphony visits Segerstrom Concert Hall to complete the Philharmonic Society’s “Ancient Paths, Modern Voices” festival, a collaboration with Carnegie Hall. The young Chinese pianist Yuja Wang applies her technical wizardry to Rachmaninoff’s Piano Concerto No. 2. Music director Long Yu leads the orchestra in Mussorgsky’s Introduction from “Khovanshchina” and, to conclude, “Iris dévoilée,” by leading Chinese composer Chen Qigang, a former student of Olivier Messiaen and Franco Donatoni. 8 p.m. Nov. 24. Tickets are $30-$250. Renee and Henry Segerstrom Concert Hall. 949-553-2422. www.philharmonicsociety.org

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Gustavo Dudamel: Mozart man

November 20th, 2009, 11:59 am by Timothy Mangan, music critic
CLICK ON PHOTO TO SEE SLIDE SHOW

CLICK ON PHOTO TO SEE SLIDE SHOW

 

Review: The 28-year-old conductor leads the Los Angeles Philharmonic in a pair of Mozart symphonies and, with Gil Shaham, Berg’s Violin Concerto. The Orange County Register, Nov. 20, 2009. SEE SLIDE SHOW 

Gustavo Dudamel, who led his third program, and ninth concert, of the month with the Los Angeles Philharmonic, Thursday night at Walt Disney Concert Hall, is a traditionalist. A meat and potatoes man. Well, at least some of the time. For all the fuss surrounding the new music director (“60 Minutes” is apparently preparing a third segment on him; they didn’t do one on his predecessor), he is in many ways a throwback to another era.

The program paired the music of Wolfgang Amadeus Mozart and Alban Berg, exemplars of the First and Second Viennese Schools, respectively. It was a good program, good to see Mozart given the place of honor he deserves. Mozart’s Symphony No. 38, “Prague,” and Symphony No. 41, “Jupiter,” stood as bookends to the agenda. In between these twin peaks came Berg’s Violin Concerto, with Gil Shaham as soloist.

Dudamel’s Mozart is Old School (not a bad thing in this listener’s book). It ignores virtually everything we have learned about historical music practice in the last 50 years. It neither handles the music with kid gloves (holding it at a polite distance) nor with an analytical scalpel (treating it as an example of ancient practices). It lives, it breathes, it sings. It is human. It is no nonsense.

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“Equivocation” uses English history to comment on our times

November 19th, 2009, 1:07 pm by PAUL HODGINS, THE ORANGE COUNTY REGISTER

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On Sept. 11, 2001, playwright Bill Cain watched the twin towers of the World Trade Center burn and collapse. That cataclysm inspired him to write a play, “Equivocation,” which made its California premiere Wednesday at the Geffen Playhouse (it debuted earlier this year at the Oregon Shakespeare Festival).

Like most good artists, Cain addressed the messy issues of 9-11 and its aftermath through inference and metaphor – a method often employed by Shakespeare, for example, who deftly tackled contemporary political controversies by cloaking them in history and fiction.

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Nicolas Slonimsky’s ‘Children Cry for Castoria’

November 19th, 2009, 9:47 am by Timothy Mangan, music critic
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The great composer, conductor, lexicographer and bon vivant Nicolas Slonimskywrote a series of tongue-in-cheek works during his lifetime (1894-1995), including “Mobius Strip-Tease” (a perpetual vocal canon “notated on a Mobius band to be revolved around the singer’s head”), “My Toy Balloon” (”a set of variations on a Brazilian song, which includes in the score 100 colored balloons to be exploded fff at the climax”) and a version of Beethoven’s Fifth in which the original intervals are reduced to their square roots (or close enough).

He also wrote a series of “advertising songs,” including “Children Cry for Castoria” (1925), using authentic texts from The Saturday Evening Post. Here’s the aged composer singing it.

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‘Spring Awakening’: Lots of sex, thin story

November 18th, 2009, 12:17 pm by PAUL HODGINS, THE ORANGE COUNTY REGISTER
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“Spring Awakening” is not for prudes or theatrical purists. But O.C. audiences surprised me during its opening Tuesday at the Orange County Performing Arts Center. Despite its frank depiction of teen lust – the first act ends with simulated sex, center stage – there were few walkouts.

Unfortunately, all that titillation can’t mask the musical’s biggest flaw: its thin story carries few surprises and plenty of clichés.

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Geffen Playhouse presents local debut of ‘Equivocation’

November 17th, 2009, 4:40 pm by PAUL HODGINS, THE ORANGE COUNTY REGISTER

 

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The Geffen Playhouse has landed the local premiere of a hot new script, Bill Cain’s “Equivocation.” The period drama, which uses the 1605 Gunpowder Plot as the springboard for a fascinating suppositional tale of intrigue and political skullduggery, was a talker in its world-premiere production at the Oregon Shakespeare Festival earlier this year. (At left is a still from the Geffen production with Patrick J. Adams and Connor Trinneer.)

A bit of background: The Gunpowder Plot.

For the Geffen Playhouse production, director David Esbjornson has chosen to present the story in modern dress, and the actors speak without English accents.

Recently I talked with four of the actors in the Geffen production – Harry Groener, Connor Trinneer, Patrick J. Adams and Brian Henderson, who share dozens of roles – about the challenges, pleasures and undeniable contemporary resonance of “Equivocation.”

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Vincent estate brings in more than $2 million

November 17th, 2009, 1:26 pm by RICHARD CHANG, THE ORANGE COUNTY REGISTER

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A view of the music room inside Elizabeth Colyear Vincent’s Newport Beach home.

A Newport Beach woman’s estate brought in $2.3 million at Bonhams & Butterfields on Sunday, Nov. 8.

Elizabeth Colyear Vincent’s collection of 18th and 19th century furniture, porcelain figures, artworks and urns attracted about 240 people to the L.A. auction house. Calls and absentee bids also came in from Australia, Turkey, England, France, Germany, Italy and Greece.

The event was one of Bonhams & Butterfields most successful furniture and decorative art auctions to date.

Many of the items far surpassed their initial pre-sale estimates, according to Andrew Jones, L.A. director of European furniture and decorative arts for Bonhams & Butterfields.

“It was a flying success,” Jones said. “It went past everybody’s expectations. During the past few years, its been really tough with the economic climate. But this was fresh, quality merchandise available to the public.”

The top sales, or lots, were a Louis XVI-style gilt bronze mounted kingwood vitrine (late 19th century) and a pair of Louis XVI-style gilt bronze floor lamps, or torcheres (also late 19th floortorcheres_editcentury). Both sold for $91,500.

Colyear Vincent was a longtime Newport Beach resident who died Feb. 1 at the age of 94. She was an ardent supporter of the Orange County Perfrorming Arts Center and Hoag Hospital.

Related and previous posts on Visual Art by Richard Chang:

Estate of Newport philanthropist up for auction

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