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The Arts Blog ~ News and notes on Orange County's world of arts, from Tim Mangan (classical music), Laura Bleiberg (dance), Paul Hodgins (theater) and Richard Chang (visual art).

O.C. Twitter play launches

June 11th, 2009, 10:54 am · 2 Comments · posted by PAUL HODGINS, THE ORANGE COUNTY REGISTER

Jeremy Gable’s Twitter play, “140: A Twitter Performance,”  is now in its second day, and so far nothing much has happened — hey, what can you expect when four characters talk to each other in bursts of no more than 140 characters?

But let’s give the playwright some slack. This is a 60-day narrative, after all. A certain amount of scene setting is in order.

Check it out here.

The initial assessment of this seasoned critic:

Dane’s an arrested-development type. Most 16 year olds I know wouldn’t admit to watching “Transformers,” let alone liking it. Perhaps that’s because he’s a somewhat naive small-town kid (the action is set in Hayden Lake, Idaho, population 560).

Dane’s best friend Nik is a live wire. For years I’ve been wanting to do the same thing to Shia LaBeouf that he so merrily suggests. But what’s a hip-talking 18-year-old doing hanging out with a “Transformer”-loving nerd two years his junior?

Leslie, Dane’s 26-year-old stepmom, desperately wants to communicate with him, hence her presence in the Twitter universe of the play. “No one told me talking was obsolete,” she grouses. I sense tension here, and a blowup looming. Also, given the brief span of years separating her from the kids, I predict all sorts of boundaries will be recklessly crossed. Just a hunch.

Among the four characters, Nik’s girlfriend Courtney is most convincingly plugged in to the zeitgeist. Her initial tweet sounds like the clarion call of our benighted times:

“Anybody know a non-crap job that doesn’t pay minimum wage?”

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Posted in: Theater by Paul Hodgins
 
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 2 Comments

  • Erica says:

    Hm. I’ve looked at the page, but have not read the story yet… however I can comment on the concept…

    the defenition of a “play” is bound to alter in the techno world.

    Is it a “live” performance, however, Is it scripted or improv? If it is an improv, are we watching/reading an improv scene or an online rpg (in which case it’s not really anything new)?

    If it is scripted I wonder how the play would be re-preformed would happen (why would it be reproduced if the result is forever recorded online exactly as it happened the first time) unless it is converted into a stage script to be re-performed. Would that make the original a “tiwtter story” (like thoes books we see now written in IM-text), rather than a play or theatre piece…

    So, without seeing actors (merely reading their posts), and the script itself not being performable.. is it a play?

  • Paul Hodgins says:

    Good questions. You might have noticed that in the Q&A published earlier this week in the Arts Blog, Jeremy was careful to call it a “performance” and not a play. But I think that term, too, is inaccurate, unless your definition of performance is very broad. Personally, I’d like to see the results performed by actors in a reading. It would add a fascinating and unpredictable layer to the twitters, which with their shorthand and candor, are a sharp contrast to spoken-word conversation.